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Film­ana­ly­se hand­lungs­ori­en­tiert

In­fo­box

Diese Seite ist Teil einer Ma­te­ria­li­en­samm­lung zum Bil­dungs­plan 2004: Grund­la­gen der Kom­pe­tenz­ori­en­tie­rung. Bitte be­ach­ten Sie, dass der Bil­dungs­plan fort­ge­schrie­ben wurde.

A         Ar­beits­schrit­te

1. Schritt pre-view­ing A

Ar­beits­tei­li­ges Ana­ly­sie­ren eines „frame“ in Grup­pen­ar­beit, Prä­sen­tie­ren der Er­geb­nis­se

  • ”What does this il­lus­tra­ti­on tell you about this cha­rac­ter, e.g. his or her age, job and sta­tus?

Ana­ly­se von Ein­zel­bil­dern, Spe­ku­la­tio­nen über Fi­gu­ren

  • “Brief­ly de­scri­be in wri­ting what you see, e.g. this cha­rac­ter’s face and body lan­gua­ge.”
2. Schritt pre-view­ing B
  • Fill in the gaps and put to­ge­ther a sto­ry­line that fits the frames below. – Pre­sent and com­pa­re your re­sults.”
Fi­gu­ren be­schrei­ben, fil­mi­sche Mit­tel nen­nen, Hy­po­the­sen über die „sto­ry­line“ und den wei­te­ren Ver­lauf bil­den

3. Schritt post-view­ing
  • An­s­wer a re­por­ter about the story from your cha­rac­ter’s point of view. – Use the frames to show him or her that your story is true.

Den tat­säch­li­chen Ver­lauf auf die Ein­zel­bil­der in ihrem Zu­sam­men­hang be­zie­hen.

B          Ar­beits­an­wei­sun­gen

These frames are from the opening of the film.
The opening sets the scene . It tells the view­er about the place and the time of the ac­tion. This is cal­led the set­ting . Look clo­se­ly and work out what you learn about place and time.
The view­ers also learn about the cha­rac­ters [‘---], their re­la­ti­ons­hips and per­haps con­flicts [‘--] bet­ween them.
Loo­king at these stills here, you can work out who these cha­rac­ters may be and what the con­flict may be about.

Task 1 (be­fo­re view­ing the clip)
  • Work on your own. – Ima­gi­ne being [one of the cha­rac­ters]. Look at the frames one by one.
    Try and “re­mem­ber” what hap­pe­n­ed where, when, how and why.
    Mo­re­o­ver, re­mem­ber what you felt yours­elf and what [and some other cha­rac­ter] did when […].
  • Get to­ge­ther in pairs . – Tell the story to each other as you see it. Agree on a sto­ry­line that fits the frames best.
Task 2 (after view­ing the clip)
  • Op­ti­on 1
    Stay with your part­ner
    . – Take on roles now. One of you is a “re­por­ter” [working for a radio sta­ti­on] who wants you to tell your story. Talk the story over to­ge­ther in ques­ti­ons and an­s­wers. – Use the frames to show him or her that your story is true.
    Op­ti­on 2
    Work on your own again now . – Now use the frames and in wri­ting tell the story in the past tense from your [cha­rac­ter’s] point of view .

Film­ana­ly­se hand­lungs­ori­en­tiert: Her­un­ter­la­den [docx] [21 KB]