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Sexy - Er­war­tungs­ho­ri­zont

  1. Mo­no­lo­gi­scher Teil

    Erste Auf­ga­be

    Dar­ren’s cha­rac­ter:

    • he is a high school stu­dent from North Falls
    • AI takes over your job/ your life and you lack the power to fight this (ll. 1-3)
    • his fa­mi­ly is not of high so­ci­al sta­tus (pro­ven by the fact that they live out in the coun­try and not in town and that neit­her of his par­ents have a col­le­ge de­gree)
    • his mo­ther wants to climb hig­her on the so­ci­al lad­der be­cau­se she doesn't want an­yo­ne to “guess” what her sta­tus re­al­ly is (ll. 6-11)
    • that is why Dar­ren seems to be under some kind of con­stant pres­su­re, is al­ways “po­li­te”, “well-man­ne­red” on the outs­ide (l. 6), and doesn't show his aver­si­ons to being told that he “can do bet­ter” (ll. 1-3)
    • he seems to try but no­nethe­l­ess strugg­les with school, does not like his teachers and suf­fers under the work load (ll. 10-18)
    • on the other hand, he seems to be quite po­pu­lar, es­pe­cial­ly among the girls at his school, who are very wil­ling to help him whe­ne­ver he is un­able to cope with the workload at school (“[...] there were lots of fri­ends to offer help. Most­ly girls.”) (ll. 18-19)
    • among these, Molly seems to be a clo­ser fri­end; howe­ver, even in her case, he takes ad­van­ta­ge of her af­fec­tion for him, of which he is ob­vious­ly aware (ll. 20-25)

     

    Dar­ren’s sense of be­longing:

    in­di­vi­du­el­le Schü­le­r­ant­wor­ten, mög­li­che As­pek­te:
    • on the one hand, most of the peop­le around him seem to ex­pect a lot of him (his mo­ther's de­si­re to reach hig­her, pres­su­re at school, peop­le tel­ling him to do bet­ter); so all in all, es­ta­blis­hing a sense of be­longing for him also means to meet other peop­le's ex­pec­ta­ti­ons
    • on the other hand, Dar­ren is also able to take ad­van­ta­ge of the peop­le who want to con­nect with him: Molly has been his “clo­sest fri­end” since childhood, one of the re­a­sons pro­bab­ly being that Molly has the so­ci­al sta­tus and re­spec­ta­bi­li­ty that his mo­ther de­si­res (“rich”, “nice”, “a vir­gin, ob­vious­ly”, l. 22)
    • and alt­hough he knows that Molly only helps him be­cau­se she is in love with him (which he does not seem to re­cipro­ca­te), he still ac­cepts her sup­port
    • he is aware of the moral am­bi­gui­ty of this and the fact that “ac­tual­ly chea­ting” (l. l.27) would con­tra­dict his re­pu­ta­ti­on, but the fact that “ever­yo­ne did it” (l. 26) makes it ac­cep­ta­ble for him, be­cau­se this means it “wasn't chea­ting ex­act­ly” (l. 26)
    • all in all, Dar­ren seems to be very aware of the rules he needs to play by in his so­ci­al sur­roun­dings: he knows how to meet ex­pec­ta­ti­ons, what the moral stan­dards are and how to get from peop­le what he needs; howe­ver, true fee­lings and con­nec­tions with other peop­le do not seem to play too much of a role in his life – there's pro­bab­ly sim­ply too much pres­su­re on him for that

     

    Zwei­te Auf­ga­be
    in­di­vi­du­el­le Schü­le­r­ant­wor­ten, mög­li­che As­pek­te:

    • un­li­ke Thao, Dar­ren is po­pu­lar among his peers, is able to get what he wants and lives up to his fa­mi­ly’s ex­pec­ta­ti­ons while Thao is ra­ther do­ci­le and pas­si­ve; howe­ver, both do not re­al­ly seem to have an idea of who they re­al­ly are or what they re­al­ly want; while Dar­ren con­stant­ly tries to meet other peop­le’s ex­pec­ta­ti­ons, Thao lacks the self-con­fi­dence to try any­thing at all, but, on the other hand, stays true to him­s­elf; while Thao seems to be able to es­ta­blish a real sense of be­longing in the cour­se of the movie and achie­ve some form of self-ac­tua­li­sa­ti­on, Dar­ren (at least in this pas­sa­ge) is under too much pres­su­re to ac­tual­ly open up to peop­le
    • un­li­ke Adam, Dar­ren is po­pu­lar and attrac­tive; what they both have in com­mon is that they are wil­ling to com­pro­mi­se their moral in­te­gri­ty in order to be liked by others (to stay/ be­co­me ac­cep­ted by the peop­le around them); both hide or cover up their true sel­ves in order to be ac­cep­ted; since neit­her of them is able to es­ta­blish a true sense of be­longing, they are un­able to achie­ve self-ac­tua­li­sa­ti­on
  2.  

  3. Dia­lo­gi­scher Teil

    Er­wei­te­rung des Um­felds der Auf­ga­be

    Bei bei­den Im­pul­sen geht es im Sinne der Text- und Me­di­en­kom­pe­tenz um eine ex­em­pla­ri­sche sprach­li­che Ana­ly­se des Text­aus­zu­ges; dabei kön­nen As­pek­te zu Dar­ren und sei­nes sense of be­longing, die im mo­no­lo­gi­schen Teil nicht bzw. ober­fläch­lich ana­ly­siert wur­den, noch ein­mal ver­tie­fend in den Blick ge­nom­men wer­den.

    1. Ana­ly­se why the aut­hor uses words like “mo­rass”, “swamp” and “drow­ning” to de­scri­be Dar­ren's work load at school.
      • all of the given words from the the­ma­tic field “mo­rass”/ “swamp” re­la­te to the fact that Dar­ren has trou­ble ke­eping up at school;
      • he has trou­ble re­mem­be­ring and struc­tu­ring all the know­ledge and de­tails he is con­fron­ted with (“mo­rass”)
      • the workload is too much for him, he feels overw­hel­med or floo­ded by it, as if he was drow­ning in it
      • all in all, school and know­ledge seem to be so­me­thing he can­not get a grip on, like a fluid na­tu­ral force bey­ond his con­trol, so he is de­pen­dent on other peop­le’s help
    2. Ana­ly­se the choice of words in lines 2-3. What does it re­veal about Dar­ren?
      • the words sug­gest that alt­hough Dar­ren is quite attrac­tive, well-man­ne­red and po­li­te, there is a strong de­si­re to show his ugly side, his “twis­ted” side
      • in this con­text, the “ugliest ge­stu­re” of ex­po­sing the “veiny-wormy flesh” il­lus­tra­tes his de­si­re to, for once, not meet peop­le’s ex­pec­ta­ti­ons, but ins­tead to repel them, maybe be­cau­se he is dis­gusted by them
      • but he dare not live out this fan­ta­sy

 

Sexy Er­war­tung: Her­un­ter­la­den [odt][19 KB]

Sexy Er­war­tung: Her­un­ter­la­den [pdf][163 KB]

 

Wei­ter zu Glo­ba­li­sa­ti­on is dead – Text