Zur Haupt­na­vi­ga­ti­on sprin­gen [Alt]+[0] Zum Sei­ten­in­halt sprin­gen [Alt]+[1]

Self as­sess­ment after

In­fo­box

Diese Seite ist Teil einer Ma­te­ria­li­en­samm­lung zum Bil­dungs­plan 2004: Grund­la­gen der Kom­pe­tenz­ori­en­tie­rung. Bitte be­ach­ten Sie, dass der Bil­dungs­plan fort­ge­schrie­ben wurde.

SELF – AS­SESS­MENT AFTER (most­ly based on CEFR and BP Ba-Wü 2004)

Go through your self-as­sess­ment once more. Use a dif­fe­rent color this time

LIS­TEN­ING : Ge­ne­rel­ly, I can un­der­stand spo­ken lan­gua­ge…

 

+

0

-

?

... when spo­ken in AE

 

 

 

 

... when spo­ken in BE

 

 

 

 

... when spo­ken by a Ger­man

 

 

 

 

... on all fa­mi­li­ar to­pics

 

 

 

 

... on ab­stract and com­plex to­pics

 

 

 

 

... live or broad­cast (an­noun­ce­ments, radio, etc.)

 

 

 

 

... de­li­ve­r­ed at fast na­ti­ve speed

 

 

 

 

... with an un­fa­mi­li­ar ac­cent

 

 

 

 

... with back­ground noi­ses

 

 

 

 

... that is not cle­ar­ly struc­tu­red

 

 

 

 

... when a lot of peop­le are in­vol­ved

 

 

 

 

... of au­di­b­ly dis­tor­ted pu­blic an­noun­ce­ments

 

 

 

 

... and re­co­gni­se a wide range of idio­ma­tic ex­pres­si­ons, col­lo­quia­lisms, shifts in re­gis­ter, rhe­to­ri­cal de­vices

 

 

 

 

... and iden­ti­fy the dialect and/or ac­cent being used

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Cross out con­di­ti­ons so that the parts re­mai­ning form a sen­tence true for you:

I can un­der­stand spo­ken lan­gua­ge re­gard­less of topic, num­ber of par­ti­ci­pants, num­ber of un­k­nown words, speed, dialect, ac­cent, back­ground noise, live or broad­cast, sound qua­li­ty, struc­tu­re, and I can iden­ti­fy ac­cent, dialect, idi­oms, col­lo­quia­lisms, re­gis­ter, rhe­to­ri­cal de­vices.

 

Tick the as­pects you have suc­cess­ful­ly worked on

I need to work on the fol­lo­wing as­pects:
a) …
b) …
c) …

Go through your self-as­sess­ment once more. Use a dif­fe­rent color this time

AUDIO/VI­SU­AL : I can …

 

+

0

-

?

... un­der­stand spo­ken lan­gua­ge when I see the spea­ker even if it in­clu­des a lot of un­fa­mi­li­ar words and ex­pres­si­ons

 

 

 

 

... catch the main points in TV pro­grams on fa­mi­li­ar to­pics when the de­li­very is re­la­tive­ly slow and clear

 

 

 

 

... fol­low many films in which vi­su­als and ac­tion carry much of the sto­ry­line, and which are de­li­ve­r­ed cle­ar­ly in strai­ght­for­ward lan­gua­ge

 

 

 

 

... un­der­stand a large part of many TV pro­grams on to­pics of my per­so­nal in­te­rest such as in­ter­views, short lec­tu­res, and news re­ports when the de­li­very is re­la­tive­ly slow and clear

 

 

 

 

... un­der­stand do­cu­men­ta­ries, live in­ter­views, talk shows, plays and the ma­jo­ri­ty of films in stan­dard Eng­lish.

 

 

 

 

... un­der­stand most TV news and cur­rent af­fairs pro­grams.

 

 

 

 

... fol­low films em­ploy­ing a con­siderable de­gree of slang and idio­ma­tic usage.

 

 

 

 

... re­co­gni­se a wide range of idio­ma­tic ex­pres­si­ons, col­lo­quia­lisms, shifts in re­gis­ter

 

 

 

 

... and iden­ti­fy the dialect and/or ac­cent being used.

 

 

 

 

... and iden­ti­fy dif­fe­rent field sizes and its ef­fects

 

 

 

 

... and iden­ti­fy ca­me­ra po­si­ti­ons and its ef­fects

 

 

 

 

... and iden­ti­fy ca­me­ra mo­ve­ments and its ef­fects

 

 

 

 

... and iden­ti­fy ca­me­ra angles and its ef­fects

 

 

 

 

... and iden­ti­fy ways of mon­ta­ge/edit­ing and its ef­fects

 

 

 

 

... and iden­ti­fy dif­fe­rent sound ef­fects and its ef­fect on the view­er

 

 

 

 

... and iden­ti­fy vi­su­al sym­bols

 

 

 

 

... and iden­ti­fy other ef­fects (e.g. com­pu­ter-ge­ne­ra­ted ima­ging, slow/fast mo­ti­on, voice-over nar­ra­ti­on) and its ef­fects

 

 

 

 

... and iden­ti­fy ways of punc­tua­ti­on and its ef­fects

 

 

 

 

... con­nect form and con­tent

 

 

 

 

... dif­fe­ren­tia­te dif­fe­rent gen­res of film

 

 

 

 

... list and pin­point dif­fe­rent cri­te­ria for va­rious gen­res

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Tick the as­pects you have suc­cess­ful­ly worked on and come up with a new work plan:

I still need to work on the fol­lo­wing as­pects:
a) …
b) …
c) …

Im­pro­ve your notes. An­s­wer your ori­gi­nal ques­ti­ons, add new ones.

CON­TENTS
What comes to your mind when you read the fol­lo­wing to­pics. Make notes and de­ve­lop ques­ti­ons.

    1. Im­portant ele­ments of the na­tio­nal self-con­cep­ti­on: 1. Ger­ma­ny 2. USA.
    2. Im­portant fi­gu­res in con­tem­pora­ry Ame­ri­ca con­cerning pu­blic life and po­li­ti­cal cul­tu­re.
    3. The his­to­ri­cal back­ground of cur­rent Ame­ri­can li­ving con­di­ti­ons and po­li­ti­cal real­ties
    4. Ty­pi­cal Ame­ri­can core va­lues: 1. ele­ments 2. par­al­lels and dif­fe­ren­ces to Ger­ma­ny
    5. Ste­reo­ty­pes: 1. Ex­am­ples from your own life; 2. Ex­am­ples from the USA 3. Func­tions
    6. Ame­ri­can film ex­am­ples which por­tray po­li­ti­cal, so­ci­al and/or cul­tu­ral rea­li­ties

     

    Self as­sess­ment after: Her­un­ter­la­den [doc] [74 KB]