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Ques­ti­ons for rea­ding log

In­fo­box

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  1. Ques­ti­ons for rea­ding log

A) The play-wi­t­hin-a play

  1. What makes this play so funny? What made you laugh? What kind of hu­mour do­mi­na­tes?
  2. How do the prot­ago­nists act and react? What is real and what is fake? De­scri­be the si­gni­fi­can­ce of the two le­vels.
  3. De­scri­be the dif­fe­rence bet­ween Bird­boot’s be­ha­viour off and on stage.
  4. De­scri­be the dif­fe­rent at­ti­tu­des of the two li­tera­ry cri­tics.
  5. Write a short sum­ma­ry of level 1: The two cri­tics
  6. Write a short sum­ma­ry of level 2: The play
  7. Write a short sum­ma­ry of the mixed le­vels.

B) What did the aut­hor have in mind? The cha­rac­ters in the play

  1. Why did Stop­pard use the play-wi­t­hin-the-play con­ven­ti­on?
  2. What kind of cha­rac­te­riza­t­i­on does the aut­hor use? De­scri­be the cha­rac­ters in the play. Show how they de­ve­lop. Is there any in­di­vi­dua­liza­t­i­on in a farce like this?
  3. What are the aut­hor’s in­ten­ti­ons?

C) Thea­tri­cal gim­micks and tricks

  1. What are the most striking tricks and de­vices the aut­hor em­ploys?
  2. Why do they work so well in the con­text of what is pre­sen­ted?
  3. De­scri­be the func­tion of the li­tera­ry al­lu­si­ons.
Ver­glei­che: „Great Ame­ri­can One-act plays“, Klett 57822, Model In­ter­pre­ta­ti­ons, Stutt­gart 1985.

 

Kurz­dra­ma In­spec­tor Hound:  Her­un­ter­la­den [pdf] [430 KB]