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Klau­sur­for­mat am Bei­spiel Jo­seph Con­rad

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KLAU­SU­REN­VOR­SCHLÄ­GE

Text­grund­la­ge: Ab­itur Haupt­ter­min 2010

An­mer­kung: Die fol­gen­den Auf­ga­ben kön­nen für jeden Text, jede Text­sor­te ver­wen­det wer­den, also auch für Texte, die den SuS völ­lig un­be­kannt sind.

 

Ziel:  Text­ver­ste­hen über­prü­fen (Le­se­ver­ste­hen)

Auf­ga­ben­for­mat 1: Schlüs­sel­wör­ter/Sätze/Aus­drü­cke des Tex­tes in­halt­lich si­tu­ie­ren und Be­deu­tung er­klä­ren

The fol­lo­wing words are key terms of the ex­cer­pt given. Ex­plain to what extent (three of) the fol­lo­wing ex­pres­si­ons/sen­ten­ces (see below) are re­le­vant key terms for the pas­sa­ge given.

Bei­spiel 1:
weak­ness (l. 18) - stea­mer (l. 5, 20) – stores (l. 6) – sugar (l. 26, 34, 38) – vio­lent emo­ti­on (l. 41) – com­po­sure (l. 42) - chief (l. 49, 50) – stool (l. 53)

Bei­spiel 2:
“Stores were run­ning short.” (l. 6)

“There was no­bo­dy there; and being left alone with their weak­ness, they be­ca­me daily more like a pair of ac­com­pli­ces than like a coup­le of de­vo­ted fri­ends.” (l. 18)

“And sud­den­ly it see­med to Kay­erts that he had never seen that man be­fo­re.” (l. 39f.)

“’I am your chief, he began, try­ing to mas­ter the shaki­ness of his voice.’” (l. 49)

Auf­ga­ben­for­mat 2: Sti­lis­ti­sche/er­zähl­tech­ni­sche Merk­ma­le des Tex­tes nen­nen und er­läu­tern
  1. Which point of view is used by Jo­seph Con­rad in this short story? Choo­se three ex­am­ples from the text and ex­plain how the re­a­der is ma­ni­pu­la­ted by this nar­ra­ti­ve per­spec­tive.
  2. How does the aut­hor crea­te ten­si­on in this ex­cer­pt? Give three ex­am­ples from the text and ex­plain them/their func­tion.
  3. Iden­ti­fy pas­sa­ges which struc­tu­re this ex­cer­pt as in­tro­duc­tion, turning point and cli­max. Ju­s­ti­fy your choice.
Auf­ga­ben­for­mat 3: gap fil­ling

Die­ses Auf­ga­ben­for­mat kann sich auch auf Ein­zel­wör­ter/Aus­drü­cke be­zie­hen. Bei­spiels­wei­se könn­te man die Ver­ben (mo­cked, mut­te­red, yel­led etc.) zur Dis­po­si­ti­on stel­len. Wich­tig ist hier al­ler­dings, dass es kein klas­si­sches ‚rich­tig’ oder ‚falsch’ gibt, son­dern dass al­lein die Ar­gu­men­ta­ti­on über die Punk­te­ver­ga­be ent­schei­det, Und dass des Wei­te­ren na­tür­lich keine wei­ter­füh­ren­de Auf­ga­be auf diese Text­pas­sa­ge ge­legt wird, in der die ge­naue Text­aus­sa­ge be­nö­tigt wird. (altes Ana­ly­sis-For­mat).

In line 6 a sen­tence is mis­sing. De­ci­de on one of the fol­lo­wing sen­ten­ces/terms/ex­pres­si­ons and ex­plain your choice.

  1. They were lon­ging for the com­pa­ny of other white peop­le.
  2. Stores were run­ning short.
  3. Yet they ma­na­ged to cope with the si­tua­ti­on.

In line 22/23 a sen­tence is mis­sing. De­ci­de on one of the fol­lo­wing sen­ten­ces/terms/ex­pres­si­ons and ex­plain your choice.

  1. Alt­hough he was sorry for the two men and didn’t want them to wait he de­ci­ded that the other sta­ti­ons nee­ded him more badly.
  2. He thought that the use­l­ess sta­ti­on, and the use­l­ess men, could wait.
  3. He told his as­sis­tant, the only one he trusted, to pro­vi­de the poor de­vils with food as soon as pos­si­ble.

In line 47 a sen­tence is mis­sing. De­ci­de on one of the fol­lo­wing sen­ten­ces/terms/ex­pres­si­ons and ex­plain your choice.

  1. ’I don’t care about what you want or need, I have to think of mys­elf,’
  2. ‘Calm down, I sug­gest we ask Go­bi­la for help,’
  3. ’I for­bid you to speak to me in that way,’ said Kay­erts with a fair show of re­so­lu­ti­on.
  4. ‘Well, you can’t have any – I had the last lump a few days ago,’ said Kay­erts with a fair show of tri­umph.
  5. ‘You louse, you bloo­dy fool,’ shou­ted Kay­erts an­gri­ly.

In line 53 a sen­tence is mis­sing. De­ci­de on one of the fol­lo­wing sen­ten­ces/terms/ex­pres­si­ons and ex­plain your choice.

  1. All at once he loo­ked dan­ge­rous­ly in ear­nest.
  2. But he still he­si­ta­ted to touch his com­pa­ni­on he had got used to. / He had meant to do this for a long time. /
  3. The sugar was still the only thing he could think of.
Auf­ga­ben­for­mat 4: Nut­zung von Vor­wis­sen

Ex­plain what the re­a­der has lear­ned in an ear­lier pas­sa­ge of the short story to be able to un­der­stand the fol­lo­wing sen­tence.

  • “Kay­erts moo­ned about si­lent­ly, spent hours loo­king at the por­trait of his Melie.” (ll. 12f.)
  • „... they be­ca­me daily more like a pair of ac­com­pli­ces than like a coup­le of de­vo­ted fri­ends.“ (ll. 18f.)
  • „And sud­den­ly it see­med to Kay­erts that he had never seen that man be­fo­re. Who was he? He knew not­hing about him. What was he ca­pa­ble of?“ (ll. 39ff.)
  • “Kay­erts stood up also. ‚I am your chief,’ he began, ...”
Auf­ga­ben­for­mat 5: Über­schrif­ten für ein­zel­ne Pas­sa­gen fin­den und er­läu­tern.

Find a sui­ta­ble hea­ding for the fol­lo­wing pa­ra­graphs and ex­plain your choice.

  1. (ll. 1 – 12) ................................................................
  2. (ll. 12 – 17)
  3. (ll. 18 -  29)
  4. (ll. 30 – 46)
  5. (ll. 47 – 54)
Auf­ga­ben­for­mat 6: Per­spek­ti­ven­wech­sel
  1. Re­wri­te the be­gin­ning (l.1 – 10) from Ma­ko­la’s per­spec­tive.
  2. Al­ter­na­ti­ve:: Look at the si­tua­ti­on de­scri­bed in this ex­cer­pt from Ma­ko­la’s point of view and de­le­te all sen­ten­ces which this per­spec­tive would for­bid.
  3. Re­tell the events of this ex­cer­pt from the per­spec­tive of so­meo­ne who is new at the out­post and thus does not know any­thing about the three men.
Auf­ga­ben­for­mat 7: Text­tei­le strei­chen und be­grün­den.

Ex­plain the as­pect of mea­ning which would be lost, if the fol­lo­wing sen­tence(s) was/were de­le­ted from the text.

  1. “The stea­mer was late.” (l. 5)
  2. “Car­lier un­der­mi­ned by fever, could not swag­ger any­mo­re, but kept tot­te­ring about, still with a devil-may-care air, as be­ca­me a man who re­mem­be­red his crack re­gi­ment.” (ll. 14ff.)
  3. “... they drank the cof­fee wi­thout sugar. The last fif­teen lumps Kay­erts had so­lem­n­ly lo­cked away in his box, to­ge­ther with a half-bott­le of Co­gnac, ‘in case of sick­ness,’ he ex­plai­ned. (ll. 24ff.)
  4. “’Come! Out with that sugar, you stin­gy old slave-dea­ler.’” (l. 38)
  5. “’ I am your chief,’ he began,...” (l. 49)
  6. “Car­lier swung a stool.” (l. 53)

 

 

Klau­sur­for­mat am Bei­spiel Jo­seph Con­rad: Her­un­ter­la­den [doc] [486 KB]